Issue(s): Dazzler #18, Dazzler #19, Dazzler #20, Dazzler #21
Since she doesn't want to be a super hero, she's not too pleased with the gift. She was just visiting the Baxter Building for a jam session (if only HERBIE were still around to rock the drum machine).
The Invisible Girl reminds her that despite her intentions, she winds up getting into fights with super-powered people all the time (which is a very good point).
Indeed, meanwhile, the Absorbing Man checks in to a dive hotel with plans to kidnap Dazzler. While Dazzler goes to a ballgame with her Weird Al Yankovic looking boyfriend...
...Creel raids her manager's office to get her next performance date and location.
While all this is going on, the Angel shows up at Alison's father's house to try and get info on her mother. Her father is still in a semi-catatonic state.
The Absorbing Man shows up at Dazzler's concert and attacks her while she's performing.
Dazzler flees back to the Fantastic Four, but they're no longer home (neither are the Avengers, per Jarvis). However, she does manage to make contact with the Inhumans. Lockheed teleports Black Bolt from the Moon to the Earth.
Black Bolt powers up Dazzler by screaming at her...
...and she absorbs enough power to blast the Absorbing Man beyond the point that he can absorb.
Angel shows up at the end...
...to cause some tension with Weird Al.
Not great, but fun. The idea of Black Bolt's voice powering Dazzler's sound-to-light absorption is geeky cool
Meanwhile, Dazzler's friend Vanessa is at her singing coach's house, and she accidentally discovers a room full of pictures and clippings of Dazzler.
Sounds pretty pyscho, but it'll turn out that the coach is actually Dazzler's long lost mom. It also turns out that Dazzler's got a half-sister.
Next, a pair of super-powered musicians show up and harass Dazzler's bandmates. It turns out they had been powered up by the Techmaster some time ago.
Forget the Hypno-Hustler. Doc Sax is the classiest music-based villain Marvel has.
Dazzler puts a stop to them.
After the fight, Angel shows up to tell Alison that her father's gone catatonic.
Issue #21 is double-sized with a photo on the cover instead of drawn art. It also promises the "shameful secret of Dazzler's past!". It's not really Dazzler's shameful secret at all, it's just that Dazzler's mother used to be a singer but got herself into drugs and had an affair while she was married, leading to divorce.
We learn half the story from Alison's mom's conversation with Vanessa, and the rest from Alison's father, who comes out of his catatonia in order to finally talk to Alison about her mom.
Meanwhile, Alison's manager Harry Osgood sets her up with a charity gig at Carnegie Hall. It's organized by a slimy guy similar to the one who corrupted Alison's mom.
He wants to exploit Dazzler's super-hero contacts to create a big draw. He also offers Dazzler some drugs when he see's she's having issues due to her personal problems, but she refuses. She's again offered drugs by the vibraphone player (!) for the opening band.
All of Dazzler's friends do show up for the concert: the FF, the Avengers, Wonder Man & the Beast, Spider-Man, Power Man & Iron Fist... but not the X-Men because they're off in space.
Not sure where Cap's hand is in this picture.
Alison's father also comes to the show and makes amends. Vanessa also tells her that her mother's in the audience.
After the show she meets her mom...
...and then finds that all the heroes have thrown a surprise party for her at her apartment.
Mostly harmless. No Go For Its! in these issues. And the cheesecake is kept to a minimum until issue #21 (unless you count that upskirt shot while Dazzler is kicking Doc Sax), but then we get this...
Quality Rating: C+
Chronological Placement Considerations: The Thing is in his classic rocky skin, placing this after Fantastic Four #245. Takes place after Hawkeye and She-Hulk join the Avengers in Avengers #221, and before Iron Man quits the team due to his alcohol problems. Takes place while the X-Men are off-planet. Issue #20 and issue #21 each have a separate main plot from issues #18-19, but the sub-plot with Vanessa at Dazzler's mom's house continues directly from issue #19 to issue #20, and Angel shows up at the end of issue #20 and flies Dazzler to her father's house at the beginning of #21.
Continuity Implant? N
Reprinted In: N/A
Inbound References (2): show
Absorbing Man, Angel, Barbara London, Beast, Beefer, Black Bolt, Captain America, Carter Blair, Daredevil, Dazzler, Harmony Young, Hawkeye, Human Torch, Hunch, Invisible Woman, Iron Fist, Iron Man, Jarvis, Kenneth Barnett, Lockjaw, Luke Cage, Marx, Medusa, Misty Knight, Mr. Fantastic, Quasar, She-Hulk, Spider-Man, Thing, Thor, Vision, Wasp, Wonder Man
As if the cheesecake art inside the book wasn't enough, the uncredited model on the photo cover is pretty boobtacular as well.
still, i liked her weird al boyfriend. at least he wasnt your standard soap opera star good looking boyfriend like in other media of this type (her first boyfriend in the series was bland good looking doctor who looked like he stepped out of a romance comic). It gave Dazzler a little more depth.
In that last panel, Dazzler is covering Bob Dylan's "Like A Rolling Stone"(not actually credited anywhere in the book).
#20 got slagged by female critics for the high heel roller skating.
When I read these reviews, I wish the book had been better. I wished that at the time too. It was always an interesting concept. A powerful mutant who just wants to sing, not fight super-villains; a combination of romance, family drama, real-world struggles, and action; an attempt to keep current with trends in popular culture (she dances in a "Thriller"-style video for a Michael Jackson knockoff at one point). But the series was just diverting at its best, terrible at worst. I don't think it ever had a creative team who could raise it to the level of inspiration that would have made it special...which it needed to be, because it was not an easy sell on the fundamentals. Communicating that the heroine was a vocal phenomenon is not easy in a "mute" format.
That art above is so crude. Look at the two panels featuring multiple Marvel heroes. Springer's work comes off rushed and/or lazy. He doesn't personalize anyone; they're stiff and identical. I think about how, say George Perez might have drawn the same thing.
hmm, noticed SheHulk is wearing the outfit Wasp made her take off before fighting the Masters of evil
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