Issue(s): Dr. Strange #50, Dr. Strange #51, Doctor Strange #52, Doctor Strange #53
Published Date: Dec 81 - Apr 82
Title: "The cat and the cataclysm" / "A time for love, a time for hate!" / "Life-times / ...Before time runs out! / Set not your candle in the sun!" / "Land of the pharaohs"
Credits:
Roger Stern - Writer
Marshall Rogers - Penciler
Terry Austin - Inker

Review/plot:
This picks up on Baron Mordo having turned into Morgana Blessing's cat last issue. Mordo manifests, grabs both Clea and Blessing, and travels back in time. Strange explains to Clea what's going on, and Clea thinks to herself that he should have explained it all last night and that communication between her and Stephen isn't all that great. Meanwhile, Strange is thinking that Clea is a perfect yin to his yang.

Dr. Strange follows Mordo, and finds himself in a tavern during World War II. Nick Fury and his Howling Commandos are there as well. A barfight has broken out, but Strange has no time for that, so he casts a spell stopping the fight, cleaning everything up, and erasing everyone's memory of it (and there's a cute gag where the bartender gets in trouble for having called in the MPs because of the fight and now no fight exists. Strange eventually mystically clears that up as well). The spell even cleans up Nick Fury. There's a production note at the bottom of the page that shouldn't have made it into the final printing, informing the 'productions department' that stubble shouldn't be added to Nick Fury's face after Strange casts his spell.

Mordo seems to have dumped Blessing at the tavern. She's meant to serve as an anchor back to modern times, so he doesn't really need to drag her around, i guess. Strange leaves her under the care of Nick Fury's girfriend Lady Hawley, who is possibly Morgana's mystic twin, according to Strange. Fury and Dum Dum think Strange is loopy, of course.

Strange heads out after Baron Mordo, but finds himself facing Sir Anthony Baskerville and Viscount Heinrich Krowler. Baskerville has previously appeared in the future as one of the mystics working for Dormammu and Mordo in Strange Tales #135. He's an Englishman, but a traitor and an ally of Hitler. Krowler is German, one of Hitler's occult experts. They are both working on birthing Dormammu into the world, and they're all using Mordo as a pawn, although he doesn't know it.

Strange wipes the memories of Nick Fury and the other Howlers at the end of the battle. He's always doing that!

After a number of mystic battles and fights between the Howlers and the Nazi soldiers secretly stationed in Baskervilles' castle, Strange is able to defeat the evil mages with the help of the power of love! (It sound silly but it works fine in the context of the story.) But what Strange doesn't realize is that it's actually Morgana's love, not Clea's that empowers him. Stern's handling of the upcoming Clea/Strange break-up is being handled very well and very subtly by the standards of the comics we've seen to date. It's a nice angle that Stephen doesn't even realize what's happening.

There's a scene of Hitler marching around in his office, ranting wildly. It reminds me of a similar scene in Sgt. Fury and His Howling Commandos #32, but i assume both scenes are based on Charlie Chaplin's The Great Dictator.

Back in the present, Clea clues Strange in to Morgana's feelings. Strange dismisses Morgana's love as the false love a patient feels for her doctor. But Clea sensed that Morgana loves Strange more than she does. Strange still says that Morgana means nothing to him.

The discussion is interrupted by Morgana's parents and family doctor. Morgana is still in a coma after Mordo used her in his time traveling scheme, and, assuming Strange is a medical doctor, they enlist his help. Strange is then contacted by Nightmare. Mordo's machinations with Morgana's soul have caused a problem in the space-time fabric, and Strange has to go back in time to retrieve a portion of her soul.

He heads back in time to Morgana's past lives, and blows it the first couple of tries, making assumptions that Morgana's previous incarnations would act like she would, or that they would even be female. Eventually he winds up at her first incarnation, in ancient Egypt. Interestingly, Morgana's first incarnation was a servant girl working for Ranma-Tut, and Strange arrives during the Fantastic Four's visit to Ranma-Tut's time. Strange is in his astral form, so the FF can't see him, but there's some cute sequences where he unknowingly aids them. Eventually he's able to contact Morgana's past incarnation and retrieve the soul fragment, but Morgana's incarnation is able to see him and she falls in love with him, which i suppose either explains Morgana's attraction or says that Morgana's soul is naturally attracted to Strange.

Strange rejects the advances of both Morgana's past incarnation and her present self when he returns and re-awakens her with her soul. But when he returns home, he finds that Clea has packed her bags and is leaving to lead the rebellion in the Dark Dimension that was first mentioned in Dr. Strange #49. She fees her love for Strange isn't strong enough, so she's not worthy of his love. He says it's nonsense but he can't convince her to stay.

Nice art on this entire arc. Unfortunately, Marshall Rogers and Terry Austin are moving on after this arc. Still, Roger Stern's writing is also great, and next up on art is Michael Gordon and Al Milgrom (after a semi-fill-in for issue #54).

Quality Rating: B+

Historical Significance Rating: 4 - Clea leaves Dr. Strange.

Chronological Placement Considerations: The events of Dr. Strange #49 happened "yesterday". No Dr. Strange appearances should occur between the two issues. "Scarcely an hour" passes between issue #51 and #52. For what it's worth, Strange mentions that the FF have come from a time before he first met them. Which is accurate; Strange met the FF in Fantastic Four #27. But it's worth keeping in mind in case any continuity implants come along.

References:

• The Fantastic Four met Ranma-Tut in Fantastic Four #19.

Cross-over: N/A

Continuity Implant? N

Reprinted In: N/A