Issue(s): Wolverine #1, Wolverine #2, Wolverine #3, Wolverine #4
...and the Wolverine's struggle to use the way of the samurai to keep his animal instincts in check were a theme of his book for a long time. The seedy underground of an Asian city also became a familiar one, although it was moved from Japan to Madripoor for his ongoing.
In any event, it's a good story. Mariko's criminal father, Lord Shingen, resurfaces and marries her off to a crime boss to repay a debt.
Wolverine shows up to challenge the marriage but his berserker fighting style is easily defeated by Shingen's samurai fighting style.
Dismissed as nothing more than an animal, he's dumped on the street. He's helped by an assassin named Yukio (actually a double-agent working for Shingen who eventually becomes loyal to Wolvie).
See the comments on the Kitty Pryde and Wolverine series for more on this, but i see Wolverine taking on a de facto Samurai role through the course of this series. He starts off with his normal bestial fighting style, but not only does that cause him to lose his fight with Shingen, it also repulses Mariko.
Later, while he's at his low point, he dreams of being a Samurai who is shot by arrows and stripped bare, revealing a "beast clad in human form". The archer in the dream is Mariko.
Then, by the end of issue #3, Wolverine has the following revelation:
Mariko makes me want to change, to grow -- to temper the berserker in me.
With that resolution, Wolverine faces Shingen again...
...and kills him. Mariko becomes head of her clan. And she offers Wolverine her family's samurai sword.
I mentally oversimplify that as "Wolverine becomes a samurai" (and that's what got me in trouble with Paul in the Kitty Pryde and Wolverine comments), but the point is that Wolverine conquers his feral side and tries (he doesn't accept the sword) to take a nobler path. It's a turning point for the character.
Soon the X-Men receive an invitation to her and Wolverine's wedding.
There's a quick first person text blurb in this series where Wolverine mentions that he knows his father (and only his father, as compared to Mariko, who has a long lineage).
Shingen supplements his forces with Hand ninjas.
Great art by Miller...
...nice story by Claremont, and obviously a significant book for Wolverine.
And a fight with a bear.
The opening splash panel of issue #1 has Wolverine's "I'm the best there is at what I do, but what I do best isn't very nice." catchphrase for the first time.
Although we know from his first appearance that what he does best is moving.
Quality Rating: A
Chronological Placement Considerations: Takes place after Uncanny X-Men #168 and concludes before Uncanny X-Men #172.
Continuity Insert? N
My Reprint: Wolverine TPB
Inbound References (9): show
This shows just how far Wolverine has come from his early X-Men days, when Nightcrawler was actually considered the favorite character and the letters pages typically said "Get rid of that obnoxious Wolverine".
Posted by: Mark Drummond | September 18, 2011 6:55 PM
Wolverine really was obnoxious, though, early on.
I don't buy the story about this book being done to "make him less popular" either. Never in the history of comics has a comic, let alone a solo miniseries, been written with the intention of making a character less popular. Popular = better. I tend to take Claremont at his word in the foreword to TPB - the idea was to grow the character, to flesh out the character. And part of THAT involved taking him out of his element, or, rather, showing him in a different context - showing that he wasn't the character we all thought.
Also, concerning the line about knowing his father - there are countless lines like that and plot points (when did he train under Ogun, again?) that seem to indicate that, at least to Claremont, the memory loss and mysterious past WEREN'T part of Wolverine. At least not for the first decade. It'd be interesting to research when that storyline started out, about the memory loss. Was it there before Windor-Smith's Weapon X stories?
Posted by: Paul | May 5, 2012 8:02 PM
Wloverine's friend Asano Kimura is probably a reference to Asano Nitobe, who trained the Archie Goodwin/Walt Simonson Manhunter in the martial arts. Wolverine's healing factor and parts of his backstory owe a lot to Manhunter.
Posted by: Walter Lawson | May 7, 2013 12:47 AM
@paul: Agreed re: Wolverine however Claremont revealed in an interview years ago that following the ending HE INTENDED for the Shadow King Saga in Uncanny X-Men #300 he planned to have Logan's mother visit in a story from #301-304.
More recently at the funeral of Wolverine in his X-Men Forever series, he scripted her to be in attendance but Paul Smith ended up leaving her out. Or did he? Are there any females present that could be sly candidates for mummy dearest?
Posted by: Nathan Adler | May 8, 2013 6:05 AM
This, of course, also follows on a lot of what Frank Miller had done in Daredevil. Clearly samurais and ninjas were becoming big for Marvel - Daredevil, Wolverine, Snake Eyes in GI Joe - and I was a kid and eating it all up. Kids like me loved it!
This mini-series must be hard for people who are reading it for the first time these days. So much of what was in it has now become cliched, but it was all so startling and new at the time.
Posted by: Erik Beck | May 9, 2015 1:06 PM
Isn't the line about knowing his father supposed to reference that Sabretooth was originally intended to be Wolverine's father? Granted that intent was buried and not referenced while PM&IF was published and that character "owned" by that book's writer and editor, but Claremont is not one to forget anything and he always goes back to the same well for his water.
Posted by: Chris | May 9, 2015 1:55 PM
I'd like to put in my two cents to respond to Erik's comment, not disagreeing, but adding my perspective. I've used the "you don't understand how new it was at the time" argument myself (most often in reference to folks who argue Alan Moore is/was overrated). I was sixteen when this came out, I had been a hardcore Marvel junkie for about five years, and I picked it up automatically. Claremont at the height of his popularity writing, Miller at the height of his popularity drawing, on Wolverine's first solo book: how could it be bad? The problem I had with it was exactly that it wasn't "new" to me. It was Claremont writing Wolverine again, Miller drawing ninjas again. Yukio was yet another Claremont "spunky" female, too confident for any conflict of character. Mariko was a cypher to me (tender? tough? what does she see in Logan anyway?) And of course, I don't think Claremont or Miller knew anything more about Japan than what they read in Shogun and Lone Wolf and Cub. I can see why people love this series, but it just seems intellectually and emotionally hollow to me.
Posted by: Andrew | January 24, 2017 7:31 AM
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